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Canon EOS C300 Mark II EF S35 4K Cinema Camera Body

SKU: 7378

4K image quality / 10 Bit (4:2:2) / Up to ISO 102.400 / XF-AVC H.264-Codecs

Usually dispatched in 5-10 days.
€9,721.11 €8,164.84 €6,861.21

Canon EOS C300 Mark II EF S35 4K Cinema Camera Body

Canon today unveils the EOS C300 Mark II, a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

Supreme 4K image quality and versatility
With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™¹ media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include, enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.

Instant integration into professional workflows
Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bit and 48 kHz.

Designed for versatility
The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option².

- High bitrate internal 4K recording with external RAW
- High dynamic range files, ideal for post production
- Seamlessly integrate with professional workflows
- Automatic features make independent shooting easy
- Shoot with confidence in low light with low noise

Delivery Contetns:
• Camera body
• Grip
• Monitor unit and cables
• Handle and handle bracket
• Shoulder strap
• Battery Charger CG-A10
• Battery Pack BP-A30
• Thumb rest
• Eye-cup
• WFT attachment
• Measure hook
• Tripod base TB-1
• Body cap
• Viewfinder cap
• Allen key and screws

You have a question about this product? We are here for you! Call us at +49 (0)6155 8877766 or test the product in our specialist store in 64347 Griesheim, Kirschberg 27.

Canon Professional Services
Whether you’re a seasoned professional or just passionate about photography and filmmaking, Canon Professional Services (CPS) supports your storytelling journey with expert care. Welcome to the family. 



Image Sensor


Super35mm type CMOS
RGB primary colour filter (Bayer array)
Total pixels per sensor
9.84 megapixels
Effective pixels per sensor
Approx. 8.85 megapixels when 4096 × 2160/2048 × 1080 resolution selected; Approx.8.29 megapixels when 3840 × 2160 or 1920 × 1080 resolution selected
Dynamic Range
During normal shooting: 300% With Canon Log gamma: 800% With Canon Log2 Gamma 1600%
(ISO 850 or above/gain 2.5 dB or more)

Horizontal Resolution
Up to 1800 TV lines or more depends 0n shooting resolution and on lens used.



Lens Mount
Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade)
Focal length adjustment
3840 × 2160 or 1920 × 1080 resolution: Actual focal length × approx. 1.53; 4096 × 2160 or 2048 × 1080 resolution: Actual focal length × approx. 1.46; As indicated for EF-S lenses and Canon cine zoom lenses
Peripheral illumination correction
YES (dependent on lens used)
ND filter
6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops¹. Operate via body, wireless control or via RC-V100 Remote Control Unit.
Focus control
Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses including Cine Servo lens range².; (Not available with Manual Focus, CINEMA Zoom or Prime lenses.
Iris control
Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses) 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F-number during zoom.
Image stabilization system
Depends on lens used

Image Processor





Video storage media
CFast 2.0™ and SD card supported. Simultaneous Recording to CFast2.0 and External Device possible
Recording time
Depending on card used and resolution/ bit rate selected
Recording file format
XF-AVC (Material eXchange Format (MXF)
Recording Standard
Video Compression: MPEG-4 AVC/H.264, Audio Recording: Linear PCM (16bit/24bit- 48kHz - 4ch) File Format: XF-AVC (MXF), Bit rate: Intra 410/225/220/110Mbps, LongGOP 50Mbps; Long GOP: 35 or 24 Mbps (for proxy recording on SD cards

Recording frame rate


59.94 Hz
59.94i/59.94P/29.97P/23.98P (Depending on resolution selected)
50.00i/50.00P/25.00P (Depending on resolution selected



Slow/Fast motion
59.94Hz: 59.94P
2K (2048x1080/1920x1080) 1 to 60 FPS
2K CROP (*1)(2048x1080/1920x1080) max 120 FPS
4K (4096x2160/3840x2160) 1 - 30 FPS
2K (2048x1080/1920x1080) max 60 FPS**
2K CROP * (2048x1080/1920x1080) max 120 FPS **
4K (4096x2160/3840x2160 max 30 FPS
2K (2048x1080/1920x1080) max 120 FPS **
2K CROP * (2048x1080/1920x1080) max 120 FPS**
2K (2048x1080/1920x1080) 1 - 50 FPS
2K CROP * (2048x1080/1920x1080) max 100FPS **
4K (4096x2160/3840x2160) 1 - 25 FPS
2K (2048x1080/1920x1080) max 50 FPS **
2K CROP * (2048x1080/1920x1080) max 100FPScz**
4K (4096x2160/3840x2160) max 30 FPS
2K (2048x1080/1920x1080) max 60 FPS**"



Interval Record
Frame Record
Pre Record (cache record)
Relay Recording
Double Slot (simultaneous) Recording
Scan Reverse
YES: Both / Vertical/ Horizontal /Off
HD->SD conversion
Internal Data Transfer
YES. Clips can be copied from CFast2.0 to CFast2.0 card internally in Media Mode.
Photo storage media
SD Card
Still quality
2048 × 1080/1920 × 1080




4” (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Approx. 1.23 million dots (854 × RGB × 480), 100% field of view coverage
Image quality adjustments
Super High, High or Normal can be selected as the luminance adjustment. Others are same as for the viewfinder.
Waveform Monitor
Focus Assist



0.46” (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio
Organic LED
Approx. 1770,000 dots (1024 × RGB × 576)
Image quality adjustments
Adjustment of the viewfinder brightness, contrast, color, sharpness and luminance boosting (on/off) can be performed (using menu settings).
Correction lens
+2.0 to -5.5 diopter



Audio in
YES: 2x XLR input on monitor unit, 3.5mm input on Camera Body
Headphone output
YES Output impedance 50O or less, Reference signal output level 50O or less
Reference signal output level -8 to -12 dBV (with 16O load, volume from MIN to MAX)

Video/Audio output
MON., REC OUT terminals: BNC Jack, Video[HD]: SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425, Audio[HD]: SMPTE ST 299-1 [3G]: SMPTE ST 299-2, Output impedance 75O, Output signal level 0.8Vp-p
HDMI terminal (type A) Complies with HDMI specifications. Video/Audio output
IEEE 1394 (Firewire)
Time code
BNC jack (input/output)
BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KO
BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KO
LCD Monitor Input/Output
VIDEO terminal Canon’s proprietary specifications (special 13-pin jack) AUDIO terminal Canon’s proprietary specifications (special 13-pin jack)
Component out
AV terminal
DC input
Remote Control Terminal
2.5mm mini jack
Wireless Control Terminal
Via optional Wi-Fi adaptor
Colour Bars



Tally lamp
Accessory shoe
YES (cold shoe, 3 locations: top of body, top of handle, front of handle)

Shooting functions



Exposure Control and Metering
Manual, Push Auto Iris, Auto Iris (with compatible lenses).
Metering Options
(a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation
Exposure compensation
0.25 increments from ±0 to ±2.0.
Push Auto Iris
YES (EF and EF-S lenses. Not available with EF Cinema Lenses.)
Exposure Lock
Via Push AI Function
Auto Gain Control setting

Shutter speed


Control Modes
Off, Speed, Angle, Clear Scan, Slow
Shutter speed
59.94 Hz
Off: 59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24
Speed: 1/1 - 1/2000
Clear Scan: 59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz
Note: The frequency will differ depending on the frame rate setting.
Slow: 59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12
Off: 50.00(i/P) 1/50; 25.00P 1/25
Speed:1/1 - 1/2000
Clear Scan: 24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.
Shutter Angle
59.94Hz/50.00Hz: 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25

Focus Systems


AF Options
Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF
AF Modes
One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting
Face Detection AF
Yes; Face Priority or Face Only
Dual Pixel CMOS AF
Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models)

Custom Picture


Stored Configurations
7 presets
Canon Log 2
C.Gamut (Cinema Gamut) Canon Log 2 : BT.2020/Canon Log 2 : DCI-P3
Canon Log 2
Canon Log
BT.2020 Gamut BT.709
Storage Medium
Internal or SD card
Gamma Setting Options
Canon Log 2/Canon Log/Wide DR/EOS Std.Normal 1 (STANDARD)/Normal 2 (4.0x)/Normal 3 (BT.709) Normal 4 (5.0x)
Colour Space Settings
Cinema Gamut/BT.2020 Gamut/DCI-P3 Gamut/BT.709 Gamut
Colour Matrix Settings
Neutral/Production Camera/Cinema EOS Original/Video/EOS Std./OFF
Customisable and protected settings
Black Gamma
Low Key Saturation
Noise reduction
Skin detail
Selective Noise Reduction
Colour matrix
White balance
Colour correction
Setup level
Clip 100% IRE

White balance


Kelvin Range
2000K to 15000K, 100K intervals, Default 5500K
White Balance Shift
Yes, -9 to +9 (Daylight or Tungsten Preset selected)

Black balance


Black balance adjustment

Time code


Countup system
Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode)
Start value setting
“00:00:00:00”, Set/Reset selectable



16-bit 2ch (48 kHz) linear PCM
Independent limiters and auto/manual settings
Microphone attenuation
Microphone level meter



Battery Type
BP-A30 (included),BP-A60 (optional)
Input Power Supply
14.4 V DC (battery pack), 16.7 V DC (DC IN)



Detachable handle
Operating Temperature range
Approx. 0°C to 40°C, 85% (relative humidity)
Approx. -5°C to 45°C, 60% (relative humidity)


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