Sony FX3 Cinema Line (ILME-FX3)

Sony FX3 Cinema Line ILME-FX3

• Full-frame performance with high sensitivity and wide dynamic range
• High performance BIONZ XR image-processing engine
• 4K (QFHD) high-frame-rate 120fps recording
• Cinematic colour science with S-Cinetone™
• Enhanced mobility for solo operation
• 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
• CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
• 4K/120p
• XAVC S-I 4:2:2 10Bit

Full-frame image capture even in dim light
The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

Wide dynamic range, wider creative expression
The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

Stunning bokeh and full-frame creativity
Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic colour science of S-Cinetone™
S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.

4K 120fps with every frame in focus
Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

10-bit S-Log3 and HDR recording for smooth gradations
S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.

Dual high-speed media slots
Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

Delivery Content
• Accessory shoe cap
• Accessory shoe kit
• Battery Charger BC-QZ1
• Body cap, Handle shoe cap
• Power cord
• Rechargeable Battery NP-FZ100
• USB-A to USB-C cable (USB 3.2)
• XLR handle unit